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SARAH LIANNE LEWIS
Bold. Imaginative. Evocative.
Sarah Lianne Lewis is a Welsh composer crafting vivid and inventive music that bridges tradition and innovation. Working in both concert hall and stage, her music weaves unexpected sonorities - acoustic and electronic - into bold soundscapes that captivate and challenge in equal measure.
Described as 'charming', 'haunting' and 'imaginative', Sarah's work often explores themes of connection, climate change, and the natural world, embracing music’s power to create a space for discovery and thoughtful dialogue. Former Composer Affiliate with the BBC National Orchestra of Wales (2020–24) and current Composer Fellow with the Philharmonia’s Composers’ Academy (2024–25), Sarah is dedicated to shaping conversations through sound; embracing the beauty of the familiar whilst seeking to reveal the unexpected.
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REVIEWS
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A B O U T
![A photo of the composer Sarah Lianne Lewis; she has long curly hair, and is smiling at the camera.](https://static.wixstatic.com/media/e72a29_e3be9bb47f134b8ebc2fd0d1f32bf257~mv2.jpg/v1/crop/x_257,y_189,w_3283,h_2999/fill/w_403,h_368,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/Sarah%20Lianne%20Lewis%20-%20Website%20about%20image.jpg)
PHOTOGRAPH © YUSEF BASTAWY
Please note: The Press Pack is a .zip download, and contains a full biography, social media links, and hi-res photos for promotional use.
Sarah Lianne Lewis is a Welsh composer of bold and imaginative contemporary classical music that blurs the boundary between acoustic and electronic sound. Described as “quiet and delicate” and “full of imaginative sonorities", her music explores subtle intricacies of texture, engaging audiences in unique soundscapes and sonic atmospheres. She often writes about connection, climate change and the natural world, informed by a female disabled perspective.
Sarah was Composer Affiliate with the BBC National Orchestra of Wales 2020-2024; the youngest, and the first ever woman, to hold such a residency with the orchestra.
She has worked with a variety of performers, audiences and spaces; from textural orchestral works in concert halls, to contemplative chamber ensemble works in a late-night gin bar, to creating expansive storytelling soundscapes through silent disco headphones under the stars. She has worked with a range of ensembles such as the Royal Scottish National Orchestra, Quatuor Bozzini, the Royal Opera House, soprano Sarah Maria Sun, Blank Space Ensemble, UPROAR ensemble, and Nevis Ensemble. Her music has been commissioned by and performed in several UK and European music festivals including the Cowbridge Music Festival, Heidelberg Festival, CNCM gmem’s ‘Les Musiques’, Festival d’Aix-en-Provence, Archipel Festival, and the Lucerne Festival.
Sarah’s music has been performed in the UK, Europe, Canada, & Australia, and featured on UK, US, and European radio stations. Recordings of her music are available through the Birmingham Record Company and Ty Cerdd records.
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U P C O M I N G
Thursday
L’Île des Jamais Trop Tard
Orchestre Symphonique de Mulhouse (cond. Grant Llewellyn), Céline Milliat-Baumgartner (Narrator)
Schools Concert
Friday
L’Île des Jamais Trop Tard
Orchestre Symphonique de Mulhouse (cond. Grant Llewellyn), Céline Milliat-Baumgartner (Narrator)
Schools Concert
Saturday
L’Île des Jamais Trop Tard
Orchestre Symphonique de Mulhouse (cond. Grant Llewellyn), Céline Milliat-Baumgartner (Narrator)
Mulhouse Théâtre de la Sinne, FRANCE
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C O N T A C T
If you'd like to discuss commissions, hire of larger scores or have any other enquiries, please get in touch using the contact box below.
Penarth, Wales, UK